My passion is collaborating with innovative and risk-taking musicians, film-makers, visual artists and, in particular, choreographers. Creating new works through a fluid artistic dialogue has consistently fuelled my music from new perspectives and has maintained a fresh and exciting creative environment. Inspired by visual images and physical movement, my intention is to create music that complements and interacts with other art-forms, and that impacts performers & audiences alike.
London-born Anna Clyne is a Grammy-nominated composer of acoustic and electro-acoustic music. Described as a "composer of uncommon gifts and unusual methods" in a New York Times profile and as "dazzlingly inventive" by Time Out New York, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians worldwide.
Appointed by Music Director Riccardo Muti, Clyne served as a Mead Composer-in-Residence for the Chicago Symphony Orchestra from 2010-2015. She also recently served as Composer-in-Residence for the Baltimore Symphony Orchestra during the 2015-2016 season and for L’Orchestre national d’Île-de-France from 2014-2016. This season, Clyne was selected by the League of American Orchestras and New Music USA to serve as the Music Alive Composer-in-Residence with the Berkeley Symphony through the 2018-2019 season. She has been commissioned by such renowned organizations as American Composers Orchestra, BBC Radio 3, BBC Scottish Symphony, Carnegie Hall, Chicago Symphony Orchestra, Houston Ballet, London Sinfonietta, Los Angeles Philharmonic, Seattle Symphony, and the Southbank Centre, and her work has been championed by such world-renowned conductors as Marin Alsop, Pablo Heras-Casado, Riccardo Muti, Leonard Slatkin, and Esa-Pekka Salonen.
Clyne was nominated for the 2015 Grammy Award for Best Contemporary Classical Composition for her double violin concerto, Prince of Clouds. She is also the recipient of several prestigious awards including the 2016 Hindemith Prize; a Charles Ives Fellowship from the American Academy of Arts and Letters; awards from Meet the Composer, the American Music Center, the Foundation for Contemporary Arts, and the Jerome Foundation; and prizes from ASCAP and SEAMUS. She was nominated for the 2014 Times Breakthrough Award (UK) and is the recipient of a grant from Opera America to develop a new opera, Eva, which will be workshopped in Spring 2018 at National Sawdust where Clyne is a Composer-in-Residence for the 17-18 season
Recent highlights include the world premieres of Masquerade for the BBC Symphony Orchestra and Marin Alsop at the Last Night of the Proms; This Lunar Beauty for the Britten Sinfonia and soprano Julia Doyle; RIFT, a symphonic ballet in collaboration with choreographer Kitty McNamee for Marin Alsop and the Cabrillo Festival Orchestra; Pocket Book VIII for Roomful of Teeth; Threads & Traces for 100 cellos, commissioned by the Los Angeles Philharmonic and performed at Disney Hall; and her violin concerto, The Seamstress, performed by Jennifer Koh with the Chicago Symphony Orchestra at Orchestra Hall, and with the BBC Symphony Orchestra at the Barbican Center, London.
Her music is published exclusively by Boosey & Hawkes.